PLAYBACK PLAY # 06
2-5 October 2012
Powiększenie, Nowy Świat 27
Every day at 20.00, 20 PLN
James Tenney, “Cellogram”, Volker Heyn, “Blues in B-Flat”
Agnes Szelag – cello / Julia Kubica – violin
Amnon Wolman, “Bandas Sonoras”
Andrea Belfi – percussion / Michał Biela – bass / David Grubbs – guitar / Miron Grzegorkiewicz – guitar / Julia Kubica – violin / David Maranha – organ, violin / Agnes Szelag – cello
Henry Flynt, “Graduation”; David Grubbs, fragments of “An Optimist Notes the Dusk”, "Harmless Dust" and some unreleased pieces
Andrea Belfi – perc / Michal Biela – bass, voice / David Grubbs – guitar, voice / David Maranha – org, viol
Susanne Burner, “Vanishing Point. How To Disappear In America Without A Trace”
David Grubbs – guitar, voice / Miron Grzegorkiewicz – guitar / David Maranha – organ, violin / Gosia Penkalla – voice / Pete Simonelli – voice
Harry Partch, “Eleven Intrusions”
Andrea Belfi – percussion / David Grubbs – guitar, voice / David Maranha – organ, violin / Pete Simonelli – voice
Pete Simonelli Texts
Michał Biela – bass / Miron Grzegorkiewicz – guitar / DJ Lenar – turntables / Pete Simonelli – voice / Agnes Szeląg – cello
John Lomax Ethnomusicological Diaries
Michał Biela – bass / Miron Grzegorkiewicz – guitar / DJ Lenar – turntables / Pete Simonelli – voice
PROGRAMME SUBJECT TO CHANGE so please follow the BLOG
Since 2007 Playback Play is a pool for musicians of different backgrounds and aesthetics – polish and foreign. This year's edition is explores two margins of minimal music – spoken word and blues. Both have always been present in the genre, at least since tape loop of “It's Gonna Rain” by Steve Reich and bluesy improvisations by La Monte Young. Our little October-Fest is dedicated to them as primary points of interest. Once we do away with encyclopedia definitions and get back to blues and spoken word of Henry Flynt or James Tenney, minimalism may turn out to be a social history of America. Or its documental music present in spoken language, reduced material and obsesive repetitiveness.
To focus on these margins and alternative history, we will host four musicians: Andrea Belfi, David Grubbs, David Maranha and Pete Simonelli. In Warsaw they will meet local artists: Michał Biela, Miron Grzegorkiewicz, Julia Kubica, Gosia Penkalla, DJ Lenar and Agnes Szeląg. Together they will work on their collaborative pieces as well as compositions by Harry Partch, Henry Flynt, James Tenney and others. They will also play Susan Burner's Vanishing Point and ethnomusicological diaries by John Lomax.
Andrea Belfi (Italy), percussionist and composer working in between sound art and rock improvisations, member of Medves.
Michał Biela (Poland), bassist, guitarist, vocalist and songwriter, known mostly as a member of Kristen but also for more ephemeral constellations and solo projects.
Susan Burner (Germany), visual artist, author of an edit “Vanishing Point. How to Disappear in America without a Trace”
Henry Flynt (USA), composer, theorist and fiddler working along with Fluxus and consequently bringing avant garde into a deep american folk music and the other way around.
David Grubbs (USA), guitarist, theorist, vocalist, legend of a post rock scene, founding member of such bands as Gastr del Sol and Bastro.
DJ Lenar (Poland), turntablist, working mostly on sound design, soundtracks and advanced instrumental techniques for gramophones.
John Lomax (USA), godfather of american ethnomusicology, among the first figures to do fieldwork in southern states documenting the music of the black community.
David Maranha (Portugal), violinist, organ player, improviser mostly working in minimal and industrial music, member of Osso Exótico.
Harry Partch (USA), one of the most important american composers of 20th Century, pioneer of microtonal music and constructor of instruments.
Gosia Penkalla (Poland), vocalist, multi-instrumentalist, concentrated mostly on her work in Enchanted Hunters and solo appearances.
Pete Simonelli (USA), poet and performer, frontman of the post-rock Enablers.
Agnes Szeląg (USA / Poland), cellist with a classical background, interested in contemporary music just as much as rock. Co-founder of Dokuro.
James Tenney (USA), composer bringing minimalism, mictrotonality and electronic music as early as in 60.